MASTER
 
 

A New York Heartbeat

By The Oaks Theater (other events)

3 Dates Through Nov 13, 2013
 
ABOUT ABOUT

<span class="style76">Sunday November 10th - 3:00p & 7:00p
Wednesday November 13th - 7:00p</span>

MADE IN PITTSBURGH!!!

He’s  a  17-year-old  gang  leader  trying  to  make  a  rep  on  the  streets  of  New  York  in  1959. But  Spider  finds  himself  in  way  over  his  head  when  he  steals  a  suitcase  of  money  from   Casket  Mike, a notorious  gangster  who  wouldn’t  think  twice  about  blowing  away  a  punk   hood  if  it  means  getting  his  cash  back. On  the  run,  Spider  escapes  the  heat  on  the  streets  when  he’s  taken  in  by  Tamara,  a   sheltered  young  woman  whose  reclusive  uncle,  the  legendary  mobster  Big  Didi,  has  his   own  history  with  Casket  Mike. Spider’s  safe  for  the  time  being,  but  dependent  on  Tamara,  a  girl  with  a  mind  of  her   own. It’s  a  collision  of  two  lives,  but  the  unlikely  pair  soon  discovers  a  depth  of  feeling   that  neither  has  experienced  before. When  Big  Didi  discovers  Spider, the  old  gangster  cuts  a  deal  with  the  young  gang  leader: cold  cash,  and  lots  of  it,  if  he  will  kill  Casket  Mike. But  there’s  one  catch  –  he  can  never   see  Tamara  again. Now  Spider  is  faced  with  the  decision  of  his  life: to  enter  a  full-fledged  life  of  crime  and  gain  the  rep  he’s  always  wanted  or  make  a  choice  for  real  love.  

DIRECTOR’S  STATEMENT  by  TJARDUS  GREIDANUS:

When  I  wrote  A  New  York  Heartbeat, I envisioned  it  as  a  mythic  heroic  journey  of  a   young  gang  leader  in  New  York  in  the  late  1950s,  torn  between  his  loyalty  to  his  gang   and  his  love  for  the  sheltered  young  woman  who  saves  him.  But  I  also  wanted  the   audience  to  feel  a  sense  of  authenticity,  that  this  story  could  have  happened  to  real   people.    To  capture  the  time  and  place,  I  steeped  myself  in  research,  reading  countless   books  and  articles  about  New  York  City  in  the  50s,  the  neighborhood  gangs  and  the   culture  of  juvenile  delinquency  that  often  signified  an  important  rite  of  passage  in  the   life  of  a  young  man.    These  first-hand  accounts  helped  me  understand  the  hierarchy  in   gangs  as  well  as  their  vernacular  and  “how  they  talked.” My  research,  which  went  on   for  a  number  of  months  before  I  actually  sat  down  to  write,  informed  the  story  and   script  and  helped  me  provide  my  cast  with  moment-to-moment  authenticating  details   and  anecdotes  that  helped  ground  their performances  in  the  real  thing.  

<span class="twoColFixLtHdr">Research  also  helped  create  the  look  of  Heartbeat. I  feel  the  best  thing  a  director  can do  for  his  cast  is  to  create  a  fully  elaborate  world  in  which  the  actors  can  immerse   themselves. The  spirit  lingers  in  places  -  there’s  life  in  the  walls  and  the  physical  reality   can  talk  to  an  actor.</span> The  story  required  scope  and  I  didn’t  want  to  be  limited  to   shooting  a  narrow  patch  of  brick  wall  on  the  side  of  one  building  because  that  was  all  we   could  afford  to  capture  the  style  of  the  period. So  I  spent  three  months  scouting   locations  that  were  so  evocative  that  a  viewer  could  imagine  himself  or  herself  on  a   street  corner  in  Brooklyn  in  1959. Ironically,  we  ended  up  shooting  in  Pittsburgh,  where  soot-stained  brick,  industrial  decay  and  rusted  bridges  suggested  post-war  New  York. The  pace  of  shooting  was  very  intense  –  22  days  from  beginning  to  end. You  can’t  fly   solo  as  a  director. I  wanted  to  work  with  a  team  that  shared  my  passion,  and  they  did. Producers  Laura  Davis  and  Hugh  Aodh  O’Brien,  production  designers  Justine  Seymour   and  Danielle  Laubach  and  director  of  photography  Michal  Dabal  accepted  the  challenge   with  gusto. We  all  dove  in  together,  had  a  great  deal  of  fun  and  sharpened  our  skills. I   believe  our  film  reflects  this  - the  skill,  professionalism  and  loving  participation  of   everyone  who  worked  on  A  New  York  Heartbeat. I  sincerely  hope  you  agree.    

Starring Escher Holloway  (“Spider”),  Rachel  Brosnahan  (“Tamara”), Jack  Donner  (“Big  Didi”) and  Eric  Roberts  (“Casket  Mike”).

Produced,  written  &  directed  by  Tjardus  Greidanus. Produced  by  Laura  Davis  &  Hugh  Aodh  O’Brien. Executive  producer  John  Cordell. Co-producers  Cathy  Henderson-Martin  &  Cait  Murray. Director  of  Photography  Michal  Dabal. Edited  by  Edgar  Burcksen,  ACE  &  Tjardus  Greidanus. Production  Designers  Justine  Seymour  &  Danielle  Laubach. Costume  Designer  Justine  Seymour. Music  by  Bobby  Johnston.     Casting  director  Cathy  Henderson‐Martin  

PITTSBURGH POST-GAZETTE (3.5 stars out of 4, review by Tony Norman): "The two young actors at the heart of this romance … have genuine on-screen chemistry that puts every other pairing on screen this year to shame."

Read more: Full Review

PITTSBURGHMAGAZINE.COM (review by Sean Collier): "The speed with which the gang is swept up into trouble is a remedy to 100 bloated Hollywood setups."

Read More: Full Review

Watch the film's trailer: Trailer

Visit the film's website: A New York Heartbeat

Vote on the film's IMDB page: A New York Heartbeat IMDB

2013/NR/90 mins